Scene II am driving through the rugged high desert of western New Mexico, following I-40 and the Santa Fe rail line to Gallup, NM. Our almost-perfect baby, Kevin, has turned into an almost-perfect early walker, and although he can’t talk much yet he is excellent company on An Adventure like this. He’s been noticeably observant since he was a few months old, and with the stimulation of a different environment he is even more engaged than usual. Most people in Albuquerque that I’ve heard express an opinion despise Gallup, but it is my favorite town in the state, and my favorite area. The impossibly red sandstone cliffs and the large empty spaces, even along a major interstate highway, have a magnetic pull on me. Sharing this environment and looking for trains, I’m suddenly struck by a feeling deeper than satisfaction: something tells me that this is exactly the right thing for me to be doing right now, that this was meant to be. It’s sort of like my whole life has led up to this fairly undramatic experience, that this was my destiny.
What to make of this? Karl Jung said that the primary role of fathers is to introduce their children to the world, so doing that and getting some verbal feedback may be fulfilling some archetypal need. I don’t know what to make of it, but it occurs to me that if that experience happened more often life would be quite magical.
Scene IIKevin is now eight years old and not so near to perfection as before. Years of dealing with a treatable but serious learning disability have stripped away the illusion that we will always be lucky parents. We are on Another Adventure, this time with my favorite friend of his, an almost-perfect girl in his class. We have been to the Natural History Museum and now we’re wandering around Albuquerque’s historic town square. In the gazebo, Kevin stands on my feet facing me, with his arms around my waist. It’s an old game he hasn’t played in a long time, where I lumber around carrying him on my feet. His friend somehow clambers onto his back, and I’m carrying both of them, or at least dragging them, and all three of us are laughing hysterically. A man walking through comments on how attached my children are. After that dies down we walk across the street in the direction of the parking lot.
Still wanting to hold onto that regression to earlier childhood, I insist we hold hands crossing the street. This isn’t really necessary and I feel a little foolish. Crossing the street, I tell myself to store this in my memory; this was a perfect moment, nothing quite like this will ever happen again.
Scene III
It is the last day of a family trip, and my wife suggests we send Kevin to an amusement park while the two of us spend a day at the beach. Conventional wisdom says that he’s too young to be in public unsupervised but we know the park is just as safe as his school, and safer than many. This is the first time we’ve split up like this on a vacation unless there was extended family available for child care. We spend most of the day walking on the beach and reading under our umbrella. It just so happens that I’m in the middle of one of the most engrossing novels I’ve ever read (
The Good Husband, by Gail Godwin). For lunch we walk far enough inland to find a seafood restaurant that mostly serves locals, and we wander around a working harbor for yachts. We pick up Kevin in the middle of the afternoon and fly home. He is unharmed, and seems indifferent about being left on his own.
I think this is the best vacation day I can remember. Would it have mattered if the weather was less pleasant, or the book got dull, or was this milestone of Kevin's growing up the entire meaning of the day? It’s impossible to repeat the experience, so I’ll never know for sure.
Scene IV
It is February, 2006, and we are on a trip with Kevin, now 15, and his almost-perfect girlfriend. We are in the mountains of Southern Colorado and our plans for a snow-play weekend have been upended by poor conditions. On Saturday the two of them had gone on a dogsled ride, but cross-country skiing on Sunday looks like a losing proposition. We decide to go to Mesa Verde, the national park with the prehistoric cliff dwellings inhabited by Ancestral Pueblans (formerly known as Anasazi). I was haunted by the cliff dwellings when I saw them at age seven, and the Ancestral Pueblan sites still capture my imagination. The experience has a new meaning when going with Kevin’s girlfriend, who is a member of a modern pueblo. These were the homes of her ancestors, at least generically speaking, and clearly this place was critical to the development of the culture and customs she observes today. And judging by the number of pictures Kevin is taking, he is at least intrigued by the architecture and/or the aesthetics of the place.
Riding back to our lodging as sunset begins, I have a feeling similar to Scene I. Taking these adolescents together on their first trip to Mesa Verde is what we were meant to do.
What to make of these scenes? On a literal level I suppose they suggest I should be a tour guide, since they involve travel and sightseeing. I don’t think I could handle telling people the same thing over and over, however, and I’m sure I’d get sick of the same questions over and over. Or the point could be to spend more time with children. Unfortunately most children annoy me or bore me; the almost-perfect ones are hard to come by.
Another thought I’ve had is that maybe less intense scenes with meaning are happening all the time, but they are too mundane for me to notice or remember. Maybe all that travel and sightseeing do is to shift my perspective, or remove the blinders, so that otherwise hidden “meaning” comes to light. If that’s the case, then I could save a lot of gas and money if I learned to shift my perspective without changing my location.